‘New Fiction’ is the current exhibition of Martin Greenland’s work at the Cornerstone Gallery at Liverpool Hope University. Consisting of approximately 20 works the exhibition marks a triumphant return to Liverpool for Greenland following his success in 2006 when he won the John Moores painting prize for his work Before Vermeer’s Clouds.
A statement for ‘New Fiction’ asserts that the works in the exhibition represent ‘ the balance between the believable, based upon what is seen, and the unbelievable, the unseen’; and without a doubt there is something of the uncanny within Greenland’s paintings. juxtaposing the familiar with the strange Greenland creates a truly ‘das unheimlech’ sensation; the viewer is disquieted, yet seduced. A wonderful articulation of this sensation can be found in works such as End of Empire and Northumberland, Before and After (No3). Both canvasses are texturally rich and suffused with velveteen darkness, that in the Edmund Burke use of the word are sublime. They have an eerie gothic quality in the best tradition of Ann Radcliffe’s 1791 novel The Romance of the Forest.
End of Empire, with its decaying building surrounded by dark and claustrophobic trees with a beach just visible is a haunting image. The dilapidated building could be anything from a public Art Gallery to an asylum, its classical architecture at odds with the wild woods that surround and threaten to engulf it. Each of the components, the building, the woods and the beach are familiar in isolation yet combined as they are in this work they are as elusive and dreamlike – it is a place on unreality, a place to escape to and from.
Similarly, Northumberland, Before and After (No3) utilizes a brooding palette of colours again to the effect of creating an ambiguous space that is both beauty and terror combined. However The Flood and Playground could be considered the polar opposites to the works already discussed. Both these works are bright daylight scapes with open breathable compositions but are no less sinister for it. If anything I found these paintings infinitely more disquieting than the dark canvasses. They have a different sense of dereliction, where End of Empire has the sense of gentility in decay, Playground feels like an abrupt abandonment, largely due to the palpability of humanity, there is a trace of what was and what could be again.
Although the landscape is dominant within Martin Greenland’s paintings, for me they are not Landscape paintings, they are more charged and more personal than that. There is nothing twee about the subject matter or the emotions they evoke and are definitely worth spending a couple of hours with so as to fully absorb and appreciate the nuanced atmosphere of each work.
Martin Greenland – New Fiction is at the Cornerstone Gallery, Liverpool Hope University from 18th September to 12th November 2010
Martin Greenland http://www.martingreenland.co.uk/